Due Date for Q1 2012 Data (January 1 - March 31): Friday, April 6, 2012


Posts Tagged ‘WSPR’

WSPR 2010 Session Slides

Monday, November 8th, 2010

I’m just back from three days in Las Vegas for  Western States Public Radio’s 2010 Conference. I’m not much of a gambler (total losses: $3), but it was still fun to see Sin City live and in person. The highlight, by far, was going to see Cirque du Soleil’s The Beatles LOVE show. Simply fantastic and very highly recommended!

The other highlight was getting to give a (short) session on SoundExchange reporting, which included some interesting stream usage data that we’re starting to glean from all of those files you folks are giving to us each quarter. You can download my slide deck here. As always, please contact me with any questions or comments.

Big thanks to Paul Stankavich and Tom Mara and all of the WSPR folks for giving me a few minutes of time to speak, and for once again putting together a great conference!

Q3 Reports Done! Q4 Deadline Set; WSPR

Monday, November 1st, 2010

Another calendar quarter has come and gone, which means that another round of SoundExchange reporting has also come and gone! Last week, after months of hard work by many people – mainly YOU people at the stations -  Public Interactive delivered the Q3 2010 reports to SoundExchange. Here’s the 411 on this round of reports:

  • Stations reporting: 290
  • Content streams reported on: 459
  • Total Music Aggregate Tuning Hours (MATH) covered by the reports: 11,826,951

Once again, you people gave us lots and lots of data! Thanks to all who did.

For those who didn’t and who should, well, you really need to start; by not reporting you are putting your station at risk of being found in violation of copyright laws.

That would be bad. Don’t let it happen to you.

If you haven’t been reporting then there’s no better time to start than with the next round of reports!

Speaking of, the deadline for submitting your SoundExchange reporting data for those Q4 2010 reports (covering October 1 – December 31) is Friday, January 7, 2011.

As always, I urge, beg and plead with all of you to get us your data as soon as your reporting weeks are over. Don’t wait until the reporting deadline! Each quarter there are stations that wait until the last minute to submit their data, only to find their stream host can no longer produce the required streaming logs, or who don’t have enough time to fill in their playlist logs or some such problem which then prevents us from generating a report for that station. The best way to avoid such problems is to submit your data as soon as possible!

No matter when (or how) you submit your data, contact me as soon as you do, so I can verify that we have what we need.

Finally, I’ll be traveling to Las Vegas this week to speak at the Western States Public Radio conference about (what else?) SoundExchange reporting. I’ll speaking at 1:45 on Friday for about 10 minutes, just after lunch. If you’re going, please be sure to sit in on my session and say hello!

OK, enough with the pleading. Thanks again for all the hard work, folks!

Q3 Deadline Day Almost Here!

Monday, September 27th, 2010

Have you noticed a chill in the air? It could be because Fall has arrived – or because, like Halloween, the Q3 data submission deadline is almost upon us!

Boo!

That deadline again, in case you don’t recall, is a little over a week away – Friday, October 8, 2010. It covers the period July 1 – September 30, 2010. All the gory details are here.

Couple of other juicy reporting tidbits:

1. We’ve added some new syndicated shows to the list of those providing us with playlist data. Be sure to keep an eye on the list of such shows here and make sure that your program guide in Composer Basic or Pro properly reflects when you streamed these syndicated shows during your reporting weeks.

2. While we’re on the topic of syndicated shows, I’m sure everyone knows of the name change for Speaking of Faith to Being. Many folks have already asked what this means for SoundExchange reporting and whether stations need to do anything on their end to ensure those playlists continue to get integrated into their reports. The answer is stations don’t need to do anything! PI will change the name of the show in Composer Basic and Pro to reflect the change.

3. PI has been in discussions with WFMT about obtaining playlists for their syndicated offerings (e.g., the Beethoven Satellite Network, the Jazz Satellite Network, etc.). They assured us they will be providing the data to PI in the near future. I’ll let everyone know when that’s the case – or if, for some reason, they don’t, in which case stations would need to get the data directly from WFMT themselves.

We’re also working with our buddies at PRX, to get playlists for their offerings.

4. Some of you may have noticed that we’ve added a new check to detect song overlaps in playlist files (i.e., songs that are identified as having been played at the same time).

If you upload a playlist file with song overlaps, a warning explaining this will be written to the error file, which you can view by clicking on the View link in the Error File column on the Upload Playlists/Streaming Logs screen.

You can see which songs overlap by opening the processed file, which you can review by clicking on the View link in the Processed File column on the same screen. Search for Song overlap in this file and you’ll the instances of overlap.

Song overlaps only lead to a warning, not an error, meaning they won’t prevent us from generating a report for you. It does mean, however, that some over counting of listening will occur due to the overlap.

Why should anyone care about over counting? Because over counting leads to inflated Music Aggregate Tuning Hours which can lead to higher royalty payments for the entire system. Not good.

Occasional overlaps of a few seconds here and there are no big deal, although, ideally, no overlapping is what everyone should be striving for. If your overlaps are more than a few seconds – or are something persistent your file – please take the time to review and fix them as best you can. It’s for the common good. Honest.

OK, that’s more than enough for now. Good luck, and thanks for all the hard work, everyone!

P.S. It was great to meet so many of you at this past weekend’s Public Radio Programming Directors conference in Denver! Next conference up for me: the Western States Public Radio conference in Las Vegas.

WSPR 2009 Session Recap

Monday, November 9th, 2009

Last week I was in in beautiful Portland, Oregon for the Western States Public Radio (WSPR) Fall Conference 2009. On Wednesday I took part in a session on everybody’s favorite topic, SoundExchange reporting.

The session panelists also included Washington, DC attorney Melodie Virtue and Ginny Berson of the National Federation of Community Broadcasters. Melodie went over the legalities of the DMCA and such and I covered the basics of reporting to SoundExchange through Public Interactive then we fielded questions. I thought it was an excellent session and hopefully those in attendance did also.

For those who couldn’t make it, here’s an action shot from the session:

WSPR 2009 SoundExchange Session

WSPR 2009 SoundExchange Session

You can almost feel the excitement in the air, can’t you?

Big thanks for Paul Stankavich of KPLU for inviting us to hold this session and for putting the whole conference together. Thanks Paul!

You can download the various slides and handouts from the session using the links below.

Melodie’s slides on music licensing

My slides on SX reporting through PI

My SX Reporting Quick Start Tips handout

WSPR Session on SoundExchange

Tuesday, October 27th, 2009

Next week I’ll be traveling to beautiful Portland, Oregon for the Western States Public Radio (WSPR) Fall Conference 2009. I’ll be taking part in a session to talk about – what else? – SoundExchange reporting.

It will be similar to the session we had at the PRPD conference in Cleveland last month. I’ll be there to give everyone an update on the Q3 reports we are abut to submit to SoundExchnage, as well as more details on Composer Basic, which we are planning to make available to stations for submitting Q4 data.

The session will be headed up by Melodie Virtue, an attorney well versed on internet music copyright and royalty issues, and will also include Ginny Berson of the National Federation of Community Broadcasters. Melodie and I will do brief presentations and then we’ll take any and all questions from those in attendance.

The session will be on Wednesday, November 4, from 1:15 – 2:30pm. I will also be around through the rest of the conference on Thursday, so whether you can make our session or not, be sure to say hello if you see me! I’ll keep folks updated on my activities during the conference on my Twitter account.

I will be joined at the conference by Public Interactive’s Sales and Marketing Manager, Joe Orlando, who will be available to answer any and all question you may have about PI’s product offerings.

We’ll also both be available to talk about the current NFL season, if that’s more to your liking.

The Clock is Ticking on Q3

Wednesday, September 23rd, 2009

It used to be that two things in life were certain: death and taxes. For those streaming music on the web, add one more thing: quarterly SoundExchange reporting.

To that end, this is a reminder to you public radio stations that have chosen to be covered by the CPB-SoundExchange agreement that we’re a little more than three weeks away from the deadline to get us at Public Interactive your reporting data on music streaming for the third quarter of 2009. That deadline is Friday, October 16, 2009!

A number of stations have already given us their data for processing (thanks!) and many, many more have told me they are working on it. We’re happy to take your data as soon as you have it ready. But October 16 is really – honestly, truly – the latest that we’ll be able to take your data for inclusion in Q3 reports that will be submitted to SoundExchange. We submit all station reports in one big batch to SX, so we cannot grant extensions.

I won’t rehash the basics of registration and reporting here; you can read about those particulars in this post.

Let me use this space to answer a few common questions and highlight some other things to keep in mind:

1. Your chosen 14 day reporting period must indeed be fully contained within Q3 (July 1 – September 30). SoundExchange will not accept reports containing data outside those three months.

2. Composer Basic (which includes the SoundExchange Reporting Dashboard) – which will be used to transfer your data files to us – is not yet ready for public consumption. For now, data transfers will continue to be done via FTP.

3. Your playlist files must be in the proper file format, described here, or we cannot process them and, hence, will not be able to file reports on your station’s behalf.

4. If you submitted files to us for Q2 in a different format you still need to submit Q3 files (and beyond) in the required format! For Q2 we accepted just about whatever data we could get, due to the time constraints, but we are requiring the new format going forward.

In other matters, last week in Cleveland I took part in an excellent panel discussion (with lengthy Q&A) on SoundExchange reporting at the PRPD conference. You can access the presentation slides and handouts here. I’ll be participating in a similar session at the upcoming WSPR conference in Portland, OR on Wednesday November 4. If you’re going to be there, be sure to drop by and introduce yourself.

As always, please feel free to contact me with any questions or when you are ready to send us your data files.